I actually quite like the "Lipchitz" story. Especially since Lipchitz is by far the worst and least memorable story/verse. It all just feels anticlimactic and doesn’t feel like it makes sense why the song goes from being so dramatic and climaxing on Velma’s backstory just to go to a never-again-mentioned character which just ruins the tone of the song to me. Yet, the song instead then moves back to an unimportant nobody, ‘Lipchitz’, who has the most dull and worst story of them all (a worse version of ‘Six’ tbh) and this is the final story to this epic song? This should surely be the last murderess to explain her story as a grand finale to the song finishing off with the final chorus. It is the longest verse and explains her backstory, and then a longer chorus since she is a major character. This all builds to what should be the climax: ‘Cicero’, sung by one of the leading ladies Velma Kelly’. Uh-Uh’ is a change of pace and tone which works well next, almost like the bridge of the song. They are unique stories from ranging from comedic to scary, setting the mood for the song. The way I see it, ‘Pop’, ‘Six’, and ‘Squish’ are good stories to begin the song with. Have Fun! Feels like we could go on forever this way.īit of a weird query but I never understood the logic behind the order of the murderesses singing in the song from Chicago. This is a SAFE Community and rudeness WILL NOT be tolerated. Message the mods and action will be taken. If anyone here looks down on your, speaks down on your, treats you poorly or rudely then that's on them. If you have personal thoughts, post them! A poll idea? Post it! A Review? Post it! You get the point. If you have a question, post it (tag it correctly, but post it). It's not a place for you to be afraid of who you are. This is a place of community and lighthearted discussion about our favorite musicals, songs, actors and soundtracks. When you make a post, please make sure you add the correct flair so that the page is tidy and organized - it makes it easier for everyone to navigate.ģ. Don't flaunt your knowledge over others or point out their lack of in a rude way. There are some people here who are new to it all, some people here who know musicals all too well. We all love musicals, either watching, listening, performing, discussing, or all four. Everyone on this page is here for a similar reason. Additionally, we hold a Listening Club thread to talk in depth about one particular musical and what we like/don't like/would change about it. Join us here to celebrate musical theater, the shows and composers we love, the actors and actresses who draw us into their worlds, and the technical gurus who transport us from where we are to where the authors want us to be.Įach week, we hold a "What Are You Listening To This Week" thread to chat about what's been cycling on our listening devices.
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